Our newest sponsor, Windmill Lane has been around for 45 years, helping storytellers to express their stories through post, VFX, audio and creative partnerships. Earlier this month, WFT Board Member and Producer Fiona Kinsella spoke with Head of Production at Windmill Lane, Deborah Doherty about the industry, her impressive career to date, and all things post-production.
Deborah Doherty
Deborah has been with Windmill Lane for almost 18 years working as an Audio Studio manager, Producer and now Head of Production across its Film and TV, Commercial and VFX sectors. She ran the successful Number 4 audio studios from 2005-2019 growing the team and resulting in several IFTA, ICAD, Irish Animation awards and an Emmy nomination. Recent projects include dramas Kin and Smother, features My Little Pony: a new generation, Greta, Black 47, Murder at the Cottage and new VFX work for Netflix and Paramount. She is passionate about finding and developing new talent in the industry and helping Windmill’s diverse client base take their projects and exceed all expectations. Prior to joining Windmill Lane, Deborah worked for audio studios in London, and for radio stations and marketing agencies in Leeds after completing her degree there at the University of Leeds. Originally from the Co. Derry north coast, Deborah has lived in Dublin since 2005 and is a busy mum to Noah age 6 and Sadie age 3, and loves living near the sea, walks on the beach, and great TV drama.
This podcast has been made possible with the support of Coimisiún na Meán.
